Official Uncut Synopsis & Storyline

Griff McCleary is a cop, now his son shot himself with Griff's gun. A year later both he and his wife are still reeling from it. Griff feeling shut out by his wife Olivia, decides to move out. Now he is investigating what appears to be a murder-suicide. He believes that there was no suicide. His investigation leads him to a girl named Nikki.

Shooting Spots & Production Facilities

Filmed on location in United States of America at soundstages: World International Network (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Linden Ashby portrays Griff McCleary (Lead Protagonist)
• Maxwell Caulfield portrays Harlan Moss (Lead Protagonist)
• Alexandra Paul portrays Olivia McCleary (Primary Co-Star)
• Melanie Wilson portrays Cassie Ives (Primary Co-Star)
• Cynthia Preston portrays Nikki Mayhew (Key Supporting Role)
• Bruce Weitz portrays Lt. Carl Runyon (Key Supporting Role)
• Max Gail portrays Thomas Galloway (Key Supporting Role)
• Christopher Comes portrays Benny Janovic (Key Supporting Role)
• June Chadwick portrays Irene Spellman (Key Supporting Role)
• Patricia Harty portrays Sandra Galloway (Key Supporting Role)
• Greg Fitzpatrick portrays Brett (Featured Ensemble)
• Judith Montgomery portrays Dolly Dixon (Featured Ensemble)
• Dyllan Christopher portrays Kevin McCleary (Featured Ensemble)
• Emmett Shoemaker portrays Jeff (Featured Ensemble)
• Anne Welles portrays Anita (Featured Ensemble)
• Christopher Kriesa portrays Detective Stewart (Featured Ensemble)
• Ronnie Kerr portrays Man on the Street (Featured Ensemble)

Key Filmmaking Crew

Directed by Robert Malenfant. Written by Martin Kitrosser. Produced by Ken Sanders, Pierre David, Noël A. Zanitsch. Original Music by Richard Bowers. Cinematography by Steve Adcock. Film Editing by Bernard Gribble. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Facing the Enemy. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Linden Ashby's Rigorous Character Immersion & Training: To prepare for their demanding role in Facing the Enemy, Linden Ashby underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Maxwell Caulfield. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Robert Malenfant concealed subtle visual Easter eggs throughout Facing the Enemy, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (5.8/10): Facing the Enemy achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Facing the Enemy was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1998 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1999 - 2000 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2000 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (October 9, 2001): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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