Official Uncut Synopsis & Storyline
Albert Zack is a struggling, bumbling, advertising salesman hired to save the Beaver Bra Company from impending doom. He is charged with signing five specific, world-famous, busty woman as endorsers for the bra line. Silly antics and situations occur as he tries, mostly in various costumes, to get close enough to these women to make his pitch for their signature. Working against him are two board members who stand to gain if the company fails. As he circles the globe in search of these signatures, he is faced with a variety of challenges, one of which is a relationship with his own secretary.
Shooting Spots & Production Facilities
Filmed on location in Germany, United States of America at soundstages: Geiselgasteig Film (Primary Studio Soundstage), Metro-Film (Primary Studio Soundstage). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Chris Lemmon portrays Albert Zack (Lead Protagonist)
- Nicholas Saunders portrays T.B. Dumore (Lead Protagonist)
- Marilyn Joi portrays Debbie Winter (Primary Co-Star)
- Carole Davis portrays Contessa Bazzini (Primary Co-Star)
- Samantha Fox portrays Female Reporter (Key Supporting Role)
- Ron Jeremy portrays Male Reporter (Key Supporting Role)
- Dolly Dollar portrays Christina Werner (Key Supporting Role)
- Corinne Wahl portrays Cheryl Westwood (Key Supporting Role)
- Andrew MacMillan portrays President Foster (Key Supporting Role)
- Pat Finnegan portrays First Lady (Key Supporting Role)
- Teresa Ganzel portrays Lisa Foster (Featured Ensemble)
- John Otis portrays Leonard Dumore (Featured Ensemble)
- Jennifer Richards portrays Lydia Wasserman (Featured Ensemble)
- Richie Allan portrays Landlord (Featured Ensemble)
- Michelle Mais portrays Rita (Featured Ensemble)
- Michael Holms portrays Piano Player (Featured Ensemble)
- Vera Lockwood portrays Albert's Mother (Featured Ensemble)
- Joanne Baron portrays Rosalie (Featured Ensemble)
- Olivia Pascal portrays Holly Fox (Featured Ensemble)
- Bryan Englund portrays Cab Driver (Featured Ensemble)
- Jack Wrangler portrays Leading Man (Featured Ensemble)
- Kurt Mann portrays Director (Featured Ensemble)
- Bobby Astyr portrays Witch Doctor (Featured Ensemble)
- Robert Cook portrays Max (Featured Ensemble)
Key Filmmaking Crew
Directed by Chuck Vincent. Written by Wolfgang von Schiber, Chuck Vincent, Rick Marx. Produced by Wolfgang von Schiber, Chuck Vincent. Original Music by Ian Shaw. Cinematography by Larry Revene. Film Editing by James Macreading. Production Design by Robert Pusilo. Costume Design by Robert Pusilo.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for C.O.D.. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Chris Lemmon's Rigorous Character Immersion & Training: To prepare for their demanding role in C.O.D., Chris Lemmon underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Nicholas Saunders. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Chuck Vincent concealed subtle visual Easter eggs throughout C.O.D., embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (3.4/10): C.O.D. achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of C.O.D. was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1978 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1979 - 1980 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1980 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (July 3, 1981): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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