Official Uncut Synopsis & Storyline
When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: Marvin Schwartz Productions (Primary Studio Soundstage), 20th Century Fox (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Jim Brown portrays Lydecker (Lead Protagonist)
- Raquel Welch portrays Sarita (Lead Protagonist)
- Burt Reynolds portrays Yaqui Joe Herrera (Primary Co-Star)
- Fernando Lamas portrays General Verdugo (Primary Co-Star)
- Dan O'Herlihy portrays Steven Grimes (Key Supporting Role)
- Eric Braeden portrays Lt. Franz Von Klemme (Key Supporting Role)
- Aldo Sambrell portrays Sgt. Paletes (Key Supporting Role)
- Soledad Miranda portrays Girl in Hotel (Key Supporting Role)
- Alberto Dalbés portrays Padre Francisco (Key Supporting Role)
- Charly Bravo portrays Lopez (Key Supporting Role)
- José Manuel Martín portrays Sarita's Father (Featured Ensemble)
- Michael Forest portrays Humara (Featured Ensemble)
- Lorenzo Lamas portrays Indian Boy (uncredited) (Featured Ensemble)
Key Filmmaking Crew
Directed by Tom Gries. Written by Clair Huffaker, Tom Gries, Robert MacLeod. Produced by Marvin Schwartz. Original Music by Jerry Goldsmith. Cinematography by Cecilio Paniagua. Film Editing by Robert L. Simpson. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of 100 Rifles, Tom Gries and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
- Jim Brown's Rigorous Character Immersion & Training: To prepare for their demanding role in 100 Rifles, Jim Brown underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Raquel Welch. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Tom Gries concealed subtle visual Easter eggs throughout 100 Rifles, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.9/10): 100 Rifles achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of 100 Rifles was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (1966 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (1967 - 1968 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (1968 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (March 26, 1969): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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