Official Uncut Synopsis & Storyline

The story of Santos Pérez, the man who murdered caudillo Facundo Quiroga in 1835.

Shooting Spots & Production Facilities

Filmed on location in Argentina at soundstages: Distrifilm SA (Primary Studio Soundstage), Bejalú (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Federico Luppi portrays Santos Pérez (Lead Protagonist)
• José María Gutiérrez portrays Juncos (Lead Protagonist)
• Carlos Cores portrays Facundo Quiroga (Primary Co-Star)
• Norma Sebré portrays Rosario (Primary Co-Star)
• Beto Gianola portrays Key Narrative Character (Key Supporting Role)
• Guillermo Murray portrays Key Narrative Character (Key Supporting Role)
• Juan Carlos Lamas portrays Key Narrative Character (Key Supporting Role)
• Mario Luciani portrays Key Narrative Character (Key Supporting Role)
• Walter Soubrié portrays Key Narrative Character (Key Supporting Role)
• Raúl Carrel portrays Key Narrative Character (Key Supporting Role)
• Mario Savino portrays Key Narrative Character (Featured Ensemble)
• Mario Casado portrays Key Narrative Character (Featured Ensemble)
• Enrique Alonso portrays Key Narrative Character (Featured Ensemble)
• Enrique Vargas portrays Key Narrative Character (Featured Ensemble)
• Rafael Chumbito portrays Key Narrative Character (Featured Ensemble)

Key Filmmaking Crew

Directed by Hugo del Carril. Written by Hugo del Carril, Isaac Aisemberg. Produced by Ángel Zavalia. Original Music by Óscar Cardozo Ocampo. Cinematography by Humberto Peruzzi. Film Editing by Vicente Castagno. Production Design by Jorge Beghé. Costume Design by Award-Winning Costume Stylist.

Behind-the-Scenes Production Secrets & Trivia

• Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for I Did Kill Facundo. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
• Federico Luppi's Rigorous Character Immersion & Training: To prepare for their demanding role in I Did Kill Facundo, Federico Luppi underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside José María Gutiérrez. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: Hugo del Carril concealed subtle visual Easter eggs throughout I Did Kill Facundo, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (8.5/10): I Did Kill Facundo achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of I Did Kill Facundo was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Release Timeline

• 1. Concept Inception & Screenplay Planning (1972 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (1973 - 1974 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (1974 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (January 15, 1975): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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