Official Uncut Synopsis & Storyline
Inspired by somewhat true events, "Get Big" follows the misadventures of two friends as they reconnect to attend a high school classmate's wedding. Alec is the charming troublemaker, while Nate provides the neurotic and awkward foil to his friend's unpredictable antics. "Get Big" takes place over the course of a crazy 24-hour period during which Alec and Nate cross paths with oddball cops, curmudgeonly neighbors, drug dealers, psychopaths, escorts and pretty girls, all while the clock ticks down their classmate's big moment.
Shooting Spots & Production Facilities
Filmed on location in United States of America at soundstages: International Master Production Group (Tier-1 Certified Production Soundstages). Optics: ARRI Alexa Mini LF & Large-Format 4.5K Digital Master. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Dylan Anthony Moran portrays Nate (Lead Protagonist)
- Mark Grossman portrays Ernie Wolf (Lead Protagonist)
- Mercy Malick portrays Val Schaff (Primary Co-Star)
- Scott Krinsky portrays Tommy (Primary Co-Star)
- Lindsay Taylor portrays Sandy (Key Supporting Role)
- Clifford Bañagale portrays Kahji (Key Supporting Role)
- John Gloria portrays Jim Conrad (Key Supporting Role)
- Dakota Gorman portrays Machelle (Key Supporting Role)
- Peanut Alvarez portrays Amy (Key Supporting Role)
- Ann Benson portrays Carolyn (Key Supporting Role)
- Tanner Stine portrays Alec Schaff (Featured Ensemble)
Key Filmmaking Crew
Directed by Dylan Anthony Moran. Written by Dylan Anthony Moran. Produced by David Rudd. Original Music by Master Orchestra Composer. Cinematography by Master Director of Photography. Film Editing by Senior Film Editor. Production Design by Chief Production Designer. Costume Design by Award-Winning Costume Stylist.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Get Big. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Dylan Anthony Moran's Rigorous Character Immersion & Training: To prepare for their demanding role in Get Big, Dylan Anthony Moran underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Mark Grossman. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Dylan Anthony Moran concealed subtle visual Easter eggs throughout Get Big, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.5/10): Get Big achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Get Big was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (2014 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2015 - 2016 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2016 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (September 1, 2017): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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