Official Uncut Synopsis & Storyline
After a mysterious death at the Abbey, Sister Talia finds herself caught in the center of the internal investigation. With strict orders from the newly elected Mother Superior, she must uncover the truth behind the death and ensure the Abbey remains undisturbed. Things take a sharp turn when another sister is found murdered and Sister Talia is forced to find the killer. As she discovers larger secrets plaguing the Abbey, Sister Talia must reconcile her past life in order to follow through with the task at hand. For Sister Talia, all that she knows about the Abbey and her Sisters is about to come into question, as she discovers sometimes the good kill.
Shooting Spots & Production Facilities
Filmed on location in Canada at soundstages: Incendo Productions (Primary Studio Soundstage), Lifetime (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Susie Abromeit portrays Talia (Lead Protagonist)
- Amanda Brugel portrays Faith (Lead Protagonist)
- Krista Bridges portrays Sister Nora (Primary Co-Star)
- Stuart Hughes portrays Joseph Kinsella (Primary Co-Star)
- Allison Hossack portrays Superior / Joy (Key Supporting Role)
- Deborah Grover portrays Jean (Key Supporting Role)
- Yulia Petrauskas portrays Oona (Key Supporting Role)
- Nora McLellan portrays Cypriana (Key Supporting Role)
- Lisa Truong portrays Mai (Key Supporting Role)
- Carl Alacchi portrays Cardinal Antonio (Key Supporting Role)
- Marshall Williams portrays Conor (Featured Ensemble)
- Daniela Sandiford portrays Dawn (Featured Ensemble)
- Sean D'Amico portrays Eddie (Featured Ensemble)
Key Filmmaking Crew
Directed by Philippe Gagnon. Written by Ian Carpenter. Produced by Jean Bureau, Ian Whitehead. Original Music by James Gelfand. Cinematography by Serge Desrosiers. Film Editing by Benjamin Duffield. Production Design by Jean Bécotte. Costume Design by Anie Fisette.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for Sometimes the Good Kill. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Susie Abromeit's Rigorous Character Immersion & Training: To prepare for their demanding role in Sometimes the Good Kill, Susie Abromeit underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Amanda Brugel. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Philippe Gagnon concealed subtle visual Easter eggs throughout Sometimes the Good Kill, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (5.2/10): Sometimes the Good Kill achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Sometimes the Good Kill was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (2014 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2015 - 2016 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2016 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (April 28, 2017): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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