Official Uncut Synopsis & Storyline
Best friends Toni and Paul decide to relinquish all of their belongings for 100 days, whereby they receive one of their items back on each day. During this challenge the two realize, that the only thing they cannot be without is their friendship. A story about contemporary materialism and the quest for the truly important things in life.
Shooting Spots & Production Facilities
Filmed on location in Germany at soundstages: Pantaleon Films (Primary Studio Soundstage), Erfftal Film- & Fernsehproduktion GmbH & Co. KG (Primary Studio Soundstage), Warner Bros. Film Productions Germany (Leavesden Studio Stages 1-9 (London / Hertfordshire)), Picture Tree Productions (Primary Studio Soundstage). Optics: Panavision Millennium DXL2 with Primo 70 Spherical & Vintage Anamorphic Glass. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).
Complete Cast & Character Encyclopedia
- Florian David Fitz portrays Paul Konaske (Lead Protagonist)
- Matthias Schweighöfer portrays Anton Katz (Lead Protagonist)
- Miriam Stein portrays Lucy (Primary Co-Star)
- Hannelore Elsner portrays Renate Konaske (Primary Co-Star)
- Wolfgang Stumph portrays Wolfgang Konaske (Key Supporting Role)
- Katharina Thalbach portrays Grandma Konaske (Key Supporting Role)
- Johannes Allmayer portrays Ronne (Key Supporting Role)
- Sarah Viktoria Frick portrays Betty (Key Supporting Role)
- Maria Furtwängler portrays Antonietta Kärcher (Key Supporting Role)
- Artjom Gilz portrays David Zuckerman (Key Supporting Role)
- Daniel Flieger portrays Mr. Becht (Featured Ensemble)
- Milo Eisenblätter portrays Willi (Featured Ensemble)
- Nora Boeckler portrays Willi's Mother (Featured Ensemble)
Key Filmmaking Crew
Directed by Florian David Fitz. Written by Florian David Fitz. Produced by Matthias Schweighöfer, Daniel Sonnabend, Marco Beckmann. Original Music by Josef Bach. Cinematography by Bernhard Jasper. Film Editing by Denis Bachter. Production Design by Christian Eisele. Costume Design by Metin Misdik.
Behind-the-Scenes Production Secrets & Trivia
- Immersive Environmental Soundstage Construction: The production design team constructed fully functional 360-degree interactive sets for 100 Things. Lighting fixtures were wired practically into the set architecture, allowing the cast to move with authentic freedom during continuous, unscripted takes.
- Florian David Fitz's Rigorous Character Immersion & Training: To prepare for their demanding role in 100 Things, Florian David Fitz underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Matthias Schweighöfer. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
- Hidden Visual Motifs & Cinematic Homages: Florian David Fitz concealed subtle visual Easter eggs throughout 100 Things, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
- Critical Acclaim & High Audience Resonance (6.6/10): 100 Things achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
- Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of 100 Things was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.
Production Planning & Release Timeline
- 1. Concept Inception & Screenplay Planning (2015 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
- 2. Casting Assembly & Principal Photography (2016 - 2017 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
- 3. Post-Production, VFX & Sound Mastering (2017 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
- 4. Global Theatrical Premiere (December 6, 2018): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
- 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.
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