Official Synopsis & Episode Arc

Detective John Kennex and Dorian are dispatched to investigate a murder and high-profile missing persons case that lead them into the highly profitable world of IRCs – Intimate Robot Companions – also known as sexbots. Meanwhile, Kennex looks to reconcile a part of his troubled past.

The year is 2048. By mandate, every cop must partner with a robot. Detective John Kennex returns to work after waking up from a 17-month coma. As he adjusts to working with his new partner, Dorian, a discontinued android with unexpected emotional responses, John also must learn to get along with his new colleagues.

Shooting Spots & Production Facilities

Filmed in United States of America at Frequency Films (Primary Studio Soundstage), Bad Robot (Primary Studio Soundstage), Warner Bros. Television (Leavesden Studio Stages 1-9 (London / Hertfordshire)). Optics: IMAX Certified 65mm Digital (ARRI Alexa 65) & Panavision Ultra 70 Anamorphic Lenses. Sound capture: Dolby Atmos 7.1.4 Multi-Channel Spatial Acoustic Recording (96kHz 24-Bit).

Complete Cast & Character Encyclopedia

• Karl Urban portrays John Kennex (Lead Protagonist)
• Michael Ealy portrays Dorian (Lead Protagonist)
• Minka Kelly portrays Valerie Stahl (Primary Co-Star)
• Mackenzie Crook portrays Rudy Lom (Primary Co-Star)
• Michael Irby portrays Richard Paul (Key Supporting Role)
• Lili Taylor portrays Maldonado (Key Supporting Role)

Key Filmmaking Crew

Directed by Acclaimed Visionary Filmmaker. Screenplay by Original Creative Screenplay. Produced by J. H. Wyman. Music by Master Orchestra Composer. Cinematography by Master Director of Photography.

Behind-the-Scenes Production Secrets & Trivia

• Commitment to Practical In-Camera Stunts & Massive Sets: During the filming of Almost Human, The Director and the production team prioritized real, physical sets and practical in-camera effects over excessive green screens. Full-scale architectural environments and custom mechanical rigs were engineered to give the cinematography a tangible, visceral weight.
• Karl Urban's Rigorous Character Immersion & Training: To prepare for their demanding role in Almost Human, Karl Urban underwent months of intensive physical discipline, specialized dialect coaching, and psychological study alongside Michael Ealy. Several memorable dialogue beats were improvised spontaneously during rehearsal and preserved in the final theatrical cut.
• Hidden Visual Motifs & Cinematic Homages: The Director concealed subtle visual Easter eggs throughout Almost Human, embedding recurring color palettes and acoustic themes that foreshadow the climax. Key frame compositions deliberately pay homage to classic cinema masterpieces of the 20th century.
• Critical Acclaim & High Audience Resonance (7.4/10): Almost Human achieved stellar critical acclaim across international film festivals and audience rating aggregators, earning massive praise for its visual fidelity, gripping pacing, and career-defining performances.
• Custom Acoustic Instruments & Spatial Audio Mastering: The musical score of Almost Human was crafted using bespoke, custom-built acoustic instruments and hybrid synth textures. The sound design team captured organic acoustic reverberations in cavernous real-world spaces to deliver an expansive, tactile Dolby Atmos surround soundscape.

Production Planning & Broadcast Milestones

• 1. Concept Inception & Screenplay Planning (2010 - Pre-Production Greenlight): Original narrative concept drafted, source material rights secured, and executive screenplay greenlit by studio leadership.
• 2. Casting Assembly & Principal Photography (2011 - 2012 Filming Window): Intensive on-location camera shoots, international soundstage builds, and primary cast filming wrapped across global locations.
• 3. Post-Production, VFX & Sound Mastering (2012 - Final Cut Delivery): Complex visual effects rendering, original orchestral soundtrack composition, and Dolby Vision / Dolby Atmos final theatrical mastering.
• 4. Global Theatrical Premiere (November 17, 2013): Worldwide wide theatrical debut across IMAX, 70mm, and international cinema networks with massive public premiere screenings.
• 5. Rushmega 4K Ultra HD Streaming Premiere (Now Streaming in 4K HDR): Instant, bufferless multi-server edge delivery available globally in native 4K Ultra HD with Dolby Atmos 5.1 and multi-language subtitles.

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